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PASSIN' THRU

LLOYD NEW QUARTET, C (アーティスト) 形式: CD
5つ星のうち4.6 125
仕様
価格
新品 中古品
CD, CD, インポート, 2017/7/14 CD, インポート
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￥2,604 ￥847
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曲目リスト

1 Dream Weaver
2 Part 5, Ruminations
3 Nu Blues
4 How Can I Tell You
5 Tagore on the Delta
6 Passin’ Thru
7 Shiva Prayer

商品の説明

2017 release from the jazz great. NEA Jazz Master saxophonist and musical truth-seeker Charles Lloyd reconvenes his remarkable New Quartet with pianist Jason Moran, bassist Reuben Rogers, and drummer Eric Harland and takes us on another mystical journey with this live recording of Lloyd's original compositions. Passin' Thru is his third release on the Blue Note Records label - Wild Man Dance and I Long To See You. He had spent the previous 25 years recording for the ECM label. Though he primarily plays tenor saxophone and flute, Charles Lloyd has occasionally recorded on other reed instruments, including alto saxophone and the Hungarian tárogató.

登録情報

  • メーカーにより製造中止になりました ‏ : ‎ いいえ
  • 製品サイズ ‏ : ‎ 14.1 x 12.6 x 0.89 cm; 66.05 g
  • メーカー ‏ : ‎ BLUEN
  • EAN ‏ : ‎ 0602557649888
  • 商品モデル番号 ‏ : ‎ 06025 5764988
  • オリジナル盤発売日 ‏ : ‎ 2017
  • レーベル ‏ : ‎ BLUEN
  • ASIN ‏ : ‎ B072BBMVPL
  • ディスク枚数 ‏ : ‎ 1
  • カスタマーレビュー:
    5つ星のうち4.6 125

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星5つ中4.6つ
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アコジャム
5つ星のうち4.0 味わい有るチャールスロイドサウンド
2018年12月18日に日本でレビュー済み
Amazonで購入
オンリーワンな深み有るサウンドを奏でるチャールスロイドは最高です。ブラッドメルロー参加でバンド全体も一聴の価値有り。
3人のお客様がこれが役に立ったと考えています
役に立った
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すべてのレビューを日本語に翻訳
DH
5つ星のうち5.0 DH
2024年1月8日にドイツでレビュー済み
Amazonで購入
Genialer Jazz !!
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Joan M Turecki
5つ星のうち5.0 Loved it!
2018年12月16日にカナダでレビュー済み
Amazonで購入
Loved it!
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Mikio Miyaki
5つ星のうち5.0 Passin' thru severe screening for the best album
2017年8月11日にアメリカ合衆国でレビュー済み
Amazonで購入
Jason Moran, Reuben Rogers, and Eric Harland forms one of today’s best rhythm section. Charles Lloyd has lead them for a decade. Astonishingly, “Passin’ Thru” becomes the quartet’s debut album for Blue Note. The trio is nearly equal to a Jarrett-McBee-DeJohnett unit of ’60s in it’s tightness and inventiveness. This would be one of reasons Lloyd wants to revisit his old compositions. Four of the seven tunes go back to the ’60s. Titled “Passin’ Thru” is a fruit from days with Chico Hamilton. Following to a Rogers’ bass solo, the quartet scampers around lightly. Lloyd is in full bloom with his familiar color and flavor. “Tagore On The Delta” is a retitled version of “Tagore.” In Oslo, Jarrett produces saw like sound by hitting piano wires. A Jarrett’s tambourine and DeJohnett’s well-modulated drums liven up the song. In this version, the quartet coherently unfolds a happy modal jam. Moran strums music wires, while Rogers is consistently sending out massive bass tones. Three new materials are no less contemporary. The quartet ruminates over their thoughts again and again circling around a center pillar like Rogers on “Part 5, Ruminations.” Lloyd finalizes the tune with his meditative tenor solo. “Nu Blues” provides Rogers and Harland with their imaginative solo space at the close. After an introspective solo by Moran, Lloyd blows out a peaceful, solemn, and religious world on “Shiva Prayer.”

“Dream Weaver” is consisting of two parts, Meditations and Dervish Dance. Recently discovered ‘Manhattan Stories’ captures a live performance at Slug’s Saloon before the original Atlantic album release. Although there being the germ of a Meditation part in intro, the group leisurely repeats Dervish Dance melody on airy rhythm in this performance. The same Lloyd-Moran-Rogers-Harland quartet played “Dream Weaver” at the Athens Concert six years before this recording. They managed the song with a trotted manner. This time, starting dramatically, the quartet treats Meditation part like an overture. Rogers’ arco play is successful in bridging two parts. Moran dances with his controlled emotion. Rogers converges enthusiastic audience onto his pizzicato play. “How Can I Tell You” is written for Lloyd’s first love, Lady Day. Lloyd once explained he put his radio under his pillow, when the lights went out, to listen to her late into night in his childhood. What a talk would be spoken after this phrase? Depending on listeners’ imagination, stories vary. On original version, Lloyd’s tenor sings his ardent wish. A remonstrator like Don Friedman’s piano and controlled bass play by Richard Davis takes Lloyd’s emotion gently. The scene on ‘Manhattan Stories’ is set in a dimly lighted corner of a late night caffe. Lloyd tries to persuade her in a confident tone, sometimes verbosely. Gabor Szabo effuses her feeling falteringly. Ron Carter’s bass produces an ambience and their silence. The night has far advanced. The scene is moved onto a star brighten street in this version. Lloyd confesses his love. Moran takes what he says to her heart. Accompanying Rogers’ bass is trudging after them like their shadow. Without fail, “Passin’ Thru” captures the quartet’s best performance. This album is durable in passin’ thru the severe screening process of the finest jazz album.
12人のお客様がこれが役に立ったと考えています
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Joe Roberts
5つ星のうち5.0 Concert superbe
2019年5月10日にフランスでレビュー済み
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Charles Lloyd est ici en concert enregistré à Montreux (pour le 1er titre) et à Santa Fe au Nouveau Mexique (pour les autres) en 2016. C'est absolument magistral, un son unique qui emmène immédiatement loin, très loin. Un musicien capable d'envolées free ou d'une douceur mélodique extrême (How can I tell you est magnifique). Il est bien aidé par les musiciens qui l'accompagnent avec brio, Jason Moran, Reuben Rogers et Eric harland, des musiciens tout-terrain. Ils font bien sûr partie eux aussi de la réussite de ce concert. Pour avoir vu Lloyd il y a quelques années sur scène, c'est un souvenir marquant. Ne le ratez pas si vous avez cette chance.
5人のお客様がこれが役に立ったと考えています
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eternoritorno
5つ星のうち5.0 Charles ci becca di nuovo
2018年7月22日にイタリアでレビュー済み
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Doppio vinile dalla stampa piu' che buona. Incisione forse un filo troppo compressa, ma decisamente un bel disco di jazz moderno non eccessivamente "spinto".
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