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Vampirella Archives Vol. 4 (English Edition) Kindle版

英語版 Don Glut (著), Bill Dubay (著), Doug Moench (著), 形式: Kindle版
5つ星のうち4.8 45
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Collects Vampirella Magazine #22-28!

The Next volume in the New York Times best-selling series! Vintage horror at its best, re-mastered and collected in a fourth volume of the iconic Vampirella Magazine!
Complete with a sexy heroine and things that go bump in the night, as told by some of the most legendary creators in the industry.
Previous page
  1. 第 4 巻 (全 15 巻)
    Vampirella Archives
  2. 本の長さ
    403ページ
  3. 言語
    英語
  4. 付箋メモ
    有効になっていません
  5. 出版社
    Dynamite Entertainment
  6. 発売日
    2012/2/29
  7. ファイルサイズ
    1383209 KB
  8. Page Flip
    有効にされていません
  9. Word Wise
    有効にされていません
  10. タイプセッティングの改善
    有効にされていません
  11. すべての詳細を表示
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    Vampirella Archives Vol. 1 (English Edition)
  1. Vampirella Archives Vol. 2 (English Edition)
    Vampirella Archives Vol. 3 (English Edition)
    Vampirella Archives Vol. 1 (English Edition)
  1. Vampirella Archives Vol. 2 (English Edition)
    Vampirella Archives Vol. 3 (English Edition)
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販売: Amazon Services International LLC

登録情報

  • ASIN ‏ : ‎ B01D5JN1SA
  • 出版社 ‏ : ‎ Dynamite Entertainment (2012/2/29)
  • 発売日 ‏ : ‎ 2012/2/29
  • 言語 ‏ : ‎ 英語
  • ファイルサイズ ‏ : ‎ 1383209 KB
  • Text-to-Speech（テキスト読み上げ機能） ‏ : ‎ 有効になっていません。
  • X-Ray ‏ : ‎ 有効にされていません
  • Word Wise ‏ : ‎ 有効にされていません
  • 付箋メモ ‏ : ‎ 有効になっていません
  • 本の長さ ‏ : ‎ 403ページ
  • カスタマーレビュー:
    5つ星のうち4.8 45

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Jonhayashi1
5つ星のうち5.0 VAMPIRELLA Vol. 4 is even better then I expected!!
2014年7月14日にアメリカ合衆国でレビュー済み
Amazonで購入
Wow!! I had been curious about VAMPIRELLA for sometime and after reading various reviews on amazon.com I decided to try this "Archives volume 4" since it sounded like the best place to start and I'm glad I did!! I figured from the reviews I would wind up giving it 4 stars but instead I give it 5!! Who would have thought that a scantilly clad alien babe could have good moral values AND STILL be sexy, alluring and a blood sucker!!?

Her retold origin story, THE ORIGIN OF VAMPIRELLA explained her species existence depended on the life giving streams of blood on her planet Drakulon, just as water is life giving to us on Earth! After Earth astronauts landed on her world she used their spaceship to leave her world and came to ours! In this remade origin story she is drawn very curvy and playboy sexy by Jose Gonzalez who continued to draw her thoughout her series long run. Like that other icon of syndication, TV's XENA, she is tormented by guilty feelings, guilty feelings caused by her thirst for blood while trying to defend the good people of Earth from both greedy humans and various monsters and other supernatural evils!

Reportedly VAMPIRELLA was created after the sci fi comic strip success of BARBARELLA. I checked out the campy movie BARBARELLA starring Jane Fonda and found it to be both fun and funny in a Benny Hill kind of way! (See my review of BARBARELLA on amazon.com!) Unlike the Barbarella movie VAMPIRELLA is more serious and dramatic in tone while still having humourous moments! And besides starring in her own soap opera adventures with titles such as,"Hell from on High" and "The Blood Queen of Bayou Parish!" she also played the part of hostess, introducing other creepy stories illustrated by such talented artists as Auraleon on "The Cry of the Dhampir" by John Jacobson (a vampire story), artist and writer Estaban Maroto on "Orpheous Tomb of the Gods!"( the greek tale of Orpheous and Eurydice) and artist Jose Bea on a story written by Steve Skeates, "The Sentence" (a Twilight Zone kind of tale where a criminal quite literally loses his head to a haunted house!)

These stories are all brillantly illustrated to perfection in a haunting lifelike detailed style that also has a beautiful, expressive range of black, white and gray shades on the white glossy pages of this book! If you are a fan of film noir and the black and white classic TWILIGHT ZONE series and OUTER LIMITS series then this VAMPIRELLA archives volume 4 is for you! And just as I enjoyed the lush black and white tales I am treated to full colour renditions of 'Fringe Benefits" ( A robber house breaker after killing a husband's wife is given his just desserts by a surgeon who happens to be the angry husband!), "The Power and the Gory!"(about a powerful british ruler and his cruel, psychotic son!) and Vampirella's own colour adventure,"Return Trip"(After Vampi's friend, Pendragon the magician has tragically, and unintentially harmed his wife's family his wife wants revenge and has the two of them attacked by "the Dreamer"!) That last title is especially cool with the Dreamer having reached into Vampi's mind and made her think she was in a beautiful paradise. Then he turned Pendragon into a cruel villain ruining that garden of Eden for her! So Vampi as a result was about to sink her fangs into him when he reminded her,"Vampi Please! Don't let this happen to you again! For your own sanity don't take another life!" So Vampi snapped out of it and broke free of the "Dreamer's" spell! The vivid colour illustrations, together with the great black and white pictures must have started the term,"Graphic Novel" as opposed to "Comic Book"! Vampi also ends many of these suspense and horror tales with her humourous comments that reminded me of that later horror hostess, ELVIRA "mistress of the Dark"!

So I HIGHLY RECOMMEND this VAMPIRELLA vol. 4 and I look forward to future purchases of Vampirella's adventure stories!
5人のお客様がこれが役に立ったと考えています
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kiwihunter
5つ星のうち5.0 Excellent Spanish work
2012年3月17日にカナダでレビュー済み
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This is Warren at its peak, With the erotic imagery of Gonzales and Moroto, and the bleak Kafka-esque mastery of Jose Bea and Torrents and Felix Mas (especially Jose Bea!), Warren is almost completely done by Spanish artists for this volume/period. The covers are dominated by Sanjulian and Enrich, with a couple done by the inferior artists. I don't know how Gonzalez did this volume of work with such quality. He deserves and award just for that. The writing is spotty, from good to great to the occasional flash of brilliance. Some stories are in eye popping color but with art this good, you don't need it (see for yourself!) but it is an ice diversion. All that is missing is Wrightson and Corben. Looking forward to the next volume.
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Tony Raposo
5つ星のうち5.0 The quality of the paper, the inks, just about everything
2019年12月12日にカナダでレビュー済み
Amazonで購入
Just love those books
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Leslie
5つ星のうち5.0 Vampirella's Archive Vol. 4
2013年7月23日にアメリカ合衆国でレビュー済み
Amazonで購入
Some people just won't learn, like Eddie Kelch. He had a string of alias' and was always on the run, that is, until he met Mary Dryden and her father.

Eddie wasn't content for the free feed and bed for the night, he had to try and rob Mr. Dryden of his life's savings, so he ended up visiting the pigs for their nourishment the next morning. The long arm of fate had finally caught up to him.

This is but one of the stories waiting for you in Vampirella's Archive Vol. 4.

The stories only get better as with "Demon Child" and "Blood Brothers", but if you travel to Vallanueva please be kind to the children there. One boy especially, because he has wolves to do his bidding if people do harm to him, and they wait patiently for any morsel to come along.

I gave this edition five stars as the Dark Side is just crammed with more stories to sate the inquisitive minds of people who do not understand the world apart from our own.

I hope a lot of people enjoy reading this volume and continue to get the other archives in this series.
3人のお客様がこれが役に立ったと考えています
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J. Hill
5つ星のうち4.0 Blood lust galore!
2012年5月26日にアメリカ合衆国でレビュー済み
Amazonで購入
Our favorite Vampiress is back and it's a bloody treat! This latest Vampirella, Archive #4 reprints everything from the 1972 Annual through to December of 1973, (issues #22 - #28) and it's classic Vampi. Right off the bat, the cover for the 1972 Annual is fabulous! Unfortunately the first tale presented in the 1972 Annual, " The Origin of Vampirella", is not as good as it should have been (which is why the text was rewritten when it was reprinted years later), but things pick right up with Issue #22. The tale "Hell From On High" by Steve Englehart is one of the best Vampirella stories since Archie Goodwin departed as writer of the series and Jose Gonzalez's work is strong and clean. Then the controversial series "Tomb of the Gods" written and illustrated by the great Esteban Maroto, presents its final tale, "Orpheus". I didn't much care for any of the previous "Tomb" stories, but I thought this was the best of the entire series. The rest of the issue is good, but sadly things end in a bit of a whimper with "Minra" by Ed Newsome. It's illustrated by the popular Felix Mas but it's just not up to par with the other stories.

Issue 23 kicks off with a nice cover by Sanjulian. The first story, "The Blood Queen of the Bayou Parish!" continues Englehart's consistent quality story telling and then Esteban Maroto gives us a lavish visual experience with "Cobra Queen". It's written by the talented Don Gult. Gult's a gifted writer and it's a shame that he wasn't used more often during this period. On the other hand Steve Skeates, who authors the next tale "Call It Companionship", was used way too often. His tales often fail to work for me. Next, illustrator Jose Bea gives us a beautiful description of horror with "The Accursed!". Bea's style of drawing is a real favorite of mine. He's one of the very best of the Spanish artists. Unfortunately it's followed by a mediocre tale called "The Witch's Promise", then the issue ends in a whimper (once again) with "Won't Eddie Ever Learn" by Jim Stenstrum. This odd story ends with the main character, Eddie, lying unconscious in a pig troth. He fell into the troth trying to escape a sweet young blind woman. I guess we're suppose to be afraid that the pigs are going to eat him? Last time I looked pigs weren't carnivores.

Issue 24 has a nice cover by Enrich (it's the one on the slip cover) but the image has nothing at all to do with the story inside. From the image the story seems to suggest that Vampirella might be back to her original mission of destroying Chaos and his clan, but that isn't what we get. Beginning with this issue Bill Dubay takes the lead as the author of the Vampirella saga and in my opinion his choices are a mistake. He changes direction 360 degrees. He removes all the previous elements of classic horror and brings us down to earth with a tale about drugs and revenge. Vampirella is out of control and on the verge of a killing spree because she's been injected with cocaine...Why on earth would she allow herself to be held down by thugs when she could easily change into a bat and get away? Other glaring mistakes are caught by the readers at the time and they complain loudly about it in future letters pages. Unfortunately "Middle-Am!" is next and it's a dull tale written by Steve Skeates. Even Esteban Moroto's illustrations can't save this one. The rest of the issue is fair, but Skeates leaves us uninspired once again with the final story "Changes". It's another whimper of a finale.

Issue 25 continues the Vampirella saga with the drug induced Vampi raging out of control. While she's on a killing spree we get some inside information about Pendragon. The story is good but ultimately I am left hoping for more. The rest of the issue is better, but perhaps the use of color in "Nimrod" could have been handled with more skill.

Issue 26 starts off with one of the worst covers ever...(one of Bill Dubay's montages) and something feels definitely off in the Vampirella saga. Len Wein is now in charge of writing the script and although he tries to bring the story back to a more classic horror theme with Chaos and clan, it seems stiff and awkward. Even Jose Gonzalez's art feels off. Check out Vampirella's face and body on page 273. The whole page seems done by someone other than Gonzalez. Next up, "Moonspawn" is one of the best Doug Moench tales to come along in a long time but it ends too abruptly...perhaps I just wanted more. As always Maroto does a fantastic job of illustrating the story. I wish someone at Warren had taken inspiration from the panels on page 283 and commissioned a cover to be painted with these visuals in mind. It's a classic cover just waiting to happen. "Fringe Benefits" is another Moench story that had me engaged all the way until the last page where, sadly, I guessed how it was going to end. Despite that it's still very good. The final two tales in this issue attempt to scare up some plot, but sadly both fall flat. They merely play out without suspense.

Issue 27 is an Annual in disguise. Around this time Warren gave up on making the yearbooks separate. The only new story here is the Vampirella serial. Although it's in color, the story feels uninspired to me. New writers are coming along now with each new installment and it's my feeling that the continuity of character and theme suffers. Vampi seems to be meandering during this period.

Issue 28 has a nice cover by Enrich, but the story it illustrates is confusing. It almost works, perhaps with some proper editing it could have been great. "Vampirella and The Curse of the MacDaemons!" gets off to an intriguing start, but when Vampi and Pendragon are kidnapped things fall apart. Vampirella awakens the next morning in the castle bedroom of Alastair MacDaemon, forgets all about Pendragon and falls in love with MacDaemon. The rest of the story plays out like a soap opera until the real monster appears. This just doesn't feel like Vampirella to me, but Jose Gonzalaez is back illustrating our favorite vampire in classic form. Too bad the story isn't better. Doug Moench leaves me impressed with "The Clash of Leviathans" but bores me with "Eye Don't Want to Die" There are a few other good stories, but then comes one of the best tales to come along in years. "The Other Side of Heaven" is a well thought out, well crafted and unique story! Jose Bea writes and illustrates this little masterpiece and it rounds out the issue on a high note! It's well worth the wait. Despite some of the negative criticisms this is classic Vampirella and was a very entertaining read. As a final note, Dynamite should be commended on improving past mistakes. Volume #3 had some errors, and fans had a lot to say about it. Dynamite did the right thing. They pulled back, took a second and third look and made sure it was done right and I'm glad they did.
4人のお客様がこれが役に立ったと考えています
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