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The Fault In Our Stars CD – 完全版, 2014/10/1

英語版 John Green (著), Kate Rudd (読み手)

154,472

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言語

英語
出版社

Brilliance Audio
発売日

2014/10/1
対象

9 - 12
対象読者年齢

14 ～ 17 歳
ISBN-10

1501210750
ISBN-13

978-1501210754
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R. J. Palacio
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出版社 ‏ : ‎ Brilliance Audio; Unabridged版 (2014/10/1)
発売日 ‏ : ‎ 2014/10/1
言語 ‏ : ‎ 英語
ISBN-10 ‏ : ‎ 1501210750
ISBN-13 ‏ : ‎ 978-1501210754
対象読者年齢 ‏ : ‎ 14 ～ 17 歳

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Nicola Winstanley
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John Green
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Amazon カスタマー

more than worth it

2022年9月24日に日本でレビュー済み

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Its amazing but kinda smells

2022年3月20日に日本でレビュー済み

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素晴らしい作品。入り込めた。

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役に立った

太田　まりこ

Some infinities are bigger than the other infinities

2013年8月3日に日本でレビュー済み

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I really love this book. Great love story. I cried so hard in the end. And it won't make me move on after. It took me one week to finally let go of the characters specially Augustus. Lol. I just wish it was ended in a happily ever after but yeah, it didn't. But that's reality. The world is not a wish-granting factory. :(

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2014年8月4日に日本でレビュー済み

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Love the story. I think message from John Green through this book is that we should not blame for " the fault in our stars". It's natural thing, and we can't change it.

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2020年3月28日に日本でレビュー済み

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感動ものです。
翻訳されたものをもともと読んだのですが、原作も読んでみたくて買いました。

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役に立った

anish bishwokarm

Love and Loss

2020年2月7日に日本でレビュー済み

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Great book.

2014年4月5日に日本でレビュー済み

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I honestly dont think its worth the hype everyone has been giving.

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役に立った

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jcbinok

Started Slow, Ended Strong

2015年4月18日に日本でレビュー済み

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Just read this for my book club. It started out a bit shaky: lots of teenaged snarky-ness. I was not looking forward to 300+ pages of that. But, the author started to win me over when the characters (with cancer) used proper medical terminology for their diseases and apparatus. That showed the book was going to be more than a dopy YA cookie-cutter.

There are some things in the book that I didn't like, but I'd have to discuss plot points to do so. Suffice to say that I have some issues. But, by the end, I really cared about these characters, and that's what it's all about, no?

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Siempre vuelvo a este libro

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Me encanta porque no pretende ser algo que no es, es una historia corta, que te rompe el corazón en unas partes, levanta tu espíritu en otras y a veces te fastidia. Es literatura juvenil pero no por eso se eviten de darle una oportunidad.

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@cristinasbooks_

very well written

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Loved the book, very well written and is easily read … whilst crying, and laughing, but be assaulted it’s worth it.

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Saurabh Mittal

Brilliant book

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The book story is marvelous and touches the soul. The writing is so well done that it makes an instantaneous connect from the word go. Beautiful book.

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rana reader

Worth your time

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This is my first hardcover book purchase. I feel the difference. Moreover, no question about the book. It is a great Book!

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Adrienne

The best stories are about memory

2016年7月26日にアメリカ合衆国でレビュー済み

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The best stories are about memory.

The Fault in Our Stars by John Green is quite possibly the best standalone novel I have ever read and is certainly the most phenomenal book I’ve had the privilege to experience in the year 2013. It is my third favorite story and favorite non-fantasy novel. The title comes from Shakespeare’s Julius Caesar, and it sets the perfect tone for this story written in the first person by Hazel, a sixteen year old girl in the regressive stage of lung cancer who nevertheless is required to cart around an oxygen tank because (as she so perfectly puts it) her “lungs suck at being lungs.” Her mother forces her to go to a cancer patient/survivor group where she proceeds to exercise her considerable teenage snark and wit along with her friend Isaac who is suffering from a type of cancer that eventually requires the removal of an eye.

One day Hazel catches the attention of a boy named Augustus and their romance is as breathtaking and expedient as it is completely genuine and uncontrived. Augustus has recovered from bone cancer that left him with a prosthetic leg, but did nothing to diminish his spirit. She can scarcely believe he’s as perfect as he projects and indeed feels as though she’s found his hamartia or fatal flaw when he puts a cigarette in his mouth. Hazel is of course livid that anyone who survived cancer would willingly place themselves into its way again, but Augustus never lights them using the act as a metaphor of having “the killing thing right between your teeth, but you not giving it the power to do its killing.”

Both of them together have enough wit and snark to drown the world in metaphors and sarcasm with just the barest dash of bitterness for their plight. Hazel whom Augustus calls “Hazel Grace” for most of the novel feels incredibly guilty that she’s allowed Augustus to fall for her as she and her family expect her cancer to return full force at any moment, and yet their relationship parallels the ever moving train of her mortality. So much so that Hazel shares with him that her favorite book is a story by the reclusive author Peter Van Houten called An Imperial Affliction.

“My favorite book, by a wide margin, was An Imperial Affliction, but I didn’t like to tell people about it. Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book. And then there are books like An Imperial Affliction, which you can’t tell people about, books so special and rare and yours that advertising that affections feels like a betrayal.”

Van Houten’s work is very meta to the larger story at hand being about a girl named Anna who suffers from cancer and her one-eyed mother who grows tulips. But Hazel makes it very clear that this is not a cancer book in the same way that The Fault in Our Stars is not a cancer book. Anna grows progressively sicker and her mother falls in love with a Dutch Tulip Man who has a great deal of money and exotic ideas about how to treat Anna’s cancer, but just when the DTM and Anna’s mom are about to possibly get married and Anna is about to start a new treatment, the book ends right in the middle of a-

Exactly.

This drives Hazel and eventually Augustus up the wall to not know what happened to everyone from Anna’s hamster Sisyphus to Anna herself. Hazel assumes that Anna became too sick to continue writing (the assumption being that her story was first person just as Hazel’s is), but for Van Houten to not have finished it seems like the ultimate literary betrayal.

As terrified as Hazel was to share this joy with Augustus (and god knows I understand that feeling) it was the best thing she could’ve done because they now share the obsession and the insistence that the characters deserve an ending.

The conversations of Hazel and Augustus are not typical teenage conversations, but they’re not typical teenagers. Mortality flavors all of their discussions and leads to elegance such as

“The tales of our exploits will survive as long as the human voice itself. And even after that, when the robots recall the human absurdities of sacrifice and compassion, they will remember us.”

They speak of memory and calculate how there are fourteen dead people for everyone alive and realize that remembering fourteen people isn’t that difficult. We could all do that if we tried that way no one has to be forgotten. But will we then fight over who we are allowed to remember? Or will the fourteen just be added to those we can never forget? They read each other the poetry of T.S Eliot, the haunting lines of Prufrock,

“We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Til human voices wake us, and we drown.”

And as Augustus reads Hazel her favorite book she

“…fell in love the way you fall asleep: slowly, and then all at once.”

The quotes from this story are among the most poignant and beautiful I have ever seen.

“Grief does not change you, Hazel. It reveals you.”

“There will come a time when all of us are dead. All of us. There will come a time when there are no human beings remaining to remember that anyone ever existed or that our species ever did anything. There will be no one left to remember Aristotle or Cleopatra, let alone you. Everything that we did and built and wrote and thought and discovered will be forgotten and all of this will have been for naught. Maybe that time is coming soon and maybe it is millions of years away, but even if we survive the collapse of our sun, we will not survive forever. There was time before organisms experienced consciousness, and there will be time after. And if the inevitability of human oblivion worries you, I encourage you to ignore it. God knows that’s what everyone else does.”

When I finished this I thought to myself, “How am I going to read anything else? How will I find something to match this? How can I pick up another book and not expect it to resonate with this haunting beauty, this tragedy ringed with comic teenage snark and tones that are themselves tragic in their sarcasm like whistling in the ninth circle of hell or laughing uproariously at the monster?” I realized I was lost. I could think of no negative critique unless you count the fact that the two main characters have Dawson’s Creek Syndrome where they’re teenagers who speak as if they were philosophers, but then again Bill Watterson did the same thing with a boy and a stuffed tiger.

You realize the story’s hamartia doesn’t matter. That the fact that the plot may be cliched is unimportant and that dwelling on such trivialities is in and of itself a fatal flaw. This story is so much more than the letters and words on each page. It’s the triumph of morning over night when the night grows ever longer. It’s the dream of hope when you’ve done nothing but dine on despair. It is sad? Yes. It is heartbreaking? More so. Is it worth reading? Has anything sad and heartbreaking not been worth reading? The story of Hazel and Augusts deserves to be read just as the story of Anna, her mother, and dear hamster Sisyphus deserves an ending, and that becomes their exploit to seek out reclusive Peter Van Houten so that the characters can be properly laid to rest and remembered.

The best stories are about memory.

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The Fault In Our Stars CD – 完全版, 2014/10/1

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Nicola Winstanley

John Green

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